We welcome contributions! See CONTRIBUTING.md for development setup, project structure, and PR workflow.
Забитые галлюциногенами рюкзаки из Индии найдены в российском аэропортуВ Домодедово таможенники задержали пассажира за перевозку наркотиков из Индии
，推荐阅读safew获取更多信息
If this strikes you as a fairly mystifying exchange—well, this is the literary mode of Harold Bloom. As originally laid out in his 1973 book, The Anxiety of Influence: A Theory of Poetry, “influence” for Bloom is the water in which all great writers—but especially poets—are forever swimming. To become a serious author of any real enduring merit, one must necessarily take on certain literary precursors, writers who have spurred one to write for oneself. But for Bloom this is no simple craft tradition, passed down benevolently from generation to generation. For Bloom, what begins as literary inspiration ends up as sublimated agon, as endless conflict, manifesting in the work as the buried tensions of an intergenerational competition for literary immortality.
and not a duty that we exhibite to God, but a gift which God freely giveth